LOT 102
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ATTRIBUTED TO THE MASTER OF THE AUGSBURG PORTRAITS OF PAINTERS (ACTIVE 1502-1515) Portrait of a young man, half-length, in a green tunic and yellow-lined coat, wearing a black hat
作品估价：GBP 20,000 - 30,000
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图录号：
102
拍品名称：
ATTRIBUTED TO THE MASTER OF THE AUGSBURG PORTRAITS OF PAINTERS (ACTIVE 1502-1515) Portrait of a young man, half-length, in a green tunic and yellow-lined coat, wearing a black hat
拍品描述：
ATTRIBUTED TO THE MASTER OF THE AUGSBURG PORTRAITS OF PAINTERS (ACTIVE 1502-1515)
Portrait of a young man, half-length, in a green tunic and yellow-lined coat, wearing a black hat
oil on panel
16 7/8 x 12 ½ in. (42.9 x 31.7 cm.)Frederick Anthony White (1842-1933), Trevor House, London, by 1906; his sale (†), Christie's, London, 20 April 1934, lot 97, as 'School of Lower Germany' (470 gns. to Collings [?]).
with W.E. Duits, London, as 'Hans Baldung Grien', where acquired by,
Major Robert Alfred Constantine (1885-1969), Tanton Grange, Stokesley, Yorkshire, by 1949, and by descent to,
H.N.J. and R.L. Constantine; Christie's, London, 4 July 1997, lot 290, as 'South German School, Circa 1520', where acquired by the present owner.London, Burlington Fine Arts Club, Exhibition of Early German Art, 1906, no. 11, as 'School of Lower Germany, 1st half of the 16th century', lent by Frederick Anthony White.
Middlesbrough, Municipal Art Gallery, Exhibition of Dutch and Flemish masters of the 16th and 17th centuries, 28 September-22 October 1949, no. 2, as 'Hans Baldung Grien', lent by Frederick Anthony White.
York, City of York Art Gallery, Masterpieces from Yorkshire Houses, June 1951, no. 1, as 'Hans Baldung Grien', lent by Robert Anthony Constantine.
Scarborough, Municipal Art Gallery, Dutch and Flemish Masters from the Collection of Mrs. R. A. Constantine and Family, June 1960, no. 2, as 'Hans Baldung Grien'.The present panel bears a striking resemblance to a handful of drawn and painted portraits which are today attributed to an anonymous master known as the Master of the Augsburg Portraits of Painters on account of the fact that all known sitters are painters (for further information about this artist and his works, see F. Winkler,
Augsburger Malerbildnisse der D
ürerseit, Berlin, 1948; see also G. Messling, in
Dürer, Cranach, Holbein: Die Entdeckung des Menschen: Das deutsche Porträt um 1500, exhibition catalogue, Vienna and Munich, 2011, pp. 171-174). Among the three paintings that have traditionally been associated with the artist is the
Portrait of a man with a ring of 1505 in the Kunsthistorisches Museum, Vienna (inv. no. 2182). Characteristic are the man’s bushy eyebrows, voluminous hair with large curls and, above all, the freshness with which the artist has observed his sitter.
We are grateful to Dr. Bodo Brinkmann for proposing the attribution following firsthand inspection of the painting and assisting with the cataloguing of this lot.