LOT 1503
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A burlwood double brushpot, Late Ming - early Qing dynasty | 晚明清初 癭木雙髻筆筒
作品估价:HKD 100,000 - 300,000
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图录号:
1503
拍品名称:
A burlwood double brushpot, Late Ming - early Qing dynasty | 晚明清初 癭木雙髻筆筒
拍品描述:
A burlwood double brushpot, Late Ming - early Qing dynasty 晚明清初 癭木雙髻筆筒 fashioned from a bifurcated trunk, the twisted bodywith knots and patinated to a smooth brown colour,17th century Suzhou wood stand overall with stand 17.8 cm The well-patinated burlwood, with a bifurcated trunk, resembles a pierced scholar's rock. With minimal carving, the craftsman created a brushpot that retained the natural form and qualities of the burlwood, including the wrinkled skin, clusters of knots, as well as the variegated wood grain. Compare a burlwood brushpot from the collection of Qian Qianyi (1582-1664) now preserved in the Palace Museum, Taipei (accession no. gu diao19N), showcasinga similar form, material, and craftsmanship as the current brushpot, and possibly carved by the same hand. 「癭木雙髻筆筒」,天然硬木癭,癭皮堅實,歲久包漿瑩徹,形如怪石孔穴漏透。由主幹分出雙髻,髻頂嵌空探穴,略施斧斤即成筆筒。全器癭皮皴皺,瘤點簇聚,其紋理或方,或圓,或密結,或鬆散,或直點下竄,或曲繞如雲水,極盡木紋之美。 台北故宮博物院有清宮舊藏錢謙益(1582〜1664)銘「癭木靈芝筆筒」[1] 與本器的造形、材質、工法及自然老化等現象參照,自是異曲同工之妙。藝匠無署名,或係出自一人之手。錢謙益同年遺民老友,雕刻妙天下的濮仲謙(1582〜?)。據載于清初順治五年(1648)曾為其夫人柳如是製作竹器。[2] 張岱(1597〜1689?)《陶庵夢憶》記載,吾友南京濮仲謙所製作品,尤喜樹根盤結,或是竹節支離,即略施斧斤,勾勒數刀,遂成奇器,所享價幾與金銀爭重,妙絕一時。[3] [1] 故宮博物院編,《文房聚英 圖版篇》(京都:同朋舍出版社,1993),頁130。 [2] 陳寅恪,《柳如是別傳(上)》(台北:里仁,1981),頁270 - 271。 [3] (明)張岱著,欒保群注釋,《陶庵夢憶》(北京:故宮出版社,2011),頁24、50。